This started in an email conversation with a friend who was a concert pianist, retired with severe back issues, and is still in demand for concerts in her local group of friends and associates... at 94. They want full concerts. She's thinking perhaps 20 minutes. As somebody who's known too much pain in my own life. I tossed my encouragement into the ring that she do what she loved and what she can, and stop there. If they need more they can find other people with other musical skills and fewer infirmities.
One of her points was that the music wasn't just playing the notes, it was the beauty and meaning behind it. I never managed to produce good music - just ask my band teachers or senior-high choir director who insisted I needed to sing through my nose! - but could harmonize well singing. I was a dependable second soprano. As for an instrument, my parents picked out the coronet for both my brother and me, which neither of us really took to. I stayed in band because its big thing was marching. I could do that, keep rhythm and straight lines, and follow the formations out on the football field easily. As for music, I have always appreciated what other people made, with the strong exception of family birthday parties where each member follows their own tune and no two people blended. YIKES! OUCH!!!!! (Sorry, family, if you resemble that remark. Maybe not so much if you can't tell.)
Early musical education was school and church choirs. In school itself I recall two pieces we were taught: The William Tell Overture (aka the Lone Ranger theme) and "In the Hall Of The Mountain King". Later, when TV finally arrived in my life, there were the Merry Melodies cartoons, where one could watch Bugs Bunny swaying on the back of a mule into the Grand Canyon accompanied by Ferde Grofe's music. Occasionally in the church hymnal a name popped up over a hymn, like Bach. Or a holiday concert presented The Messiah," which Daddy commented he used to sing baritone for in his church when younger. I never had the opportunity to sing it, or even a selection.
In short, I had the typical woefully ignorant musical upbringing American kids were presented.
At some point I discovered Beethoven, or at least the name, and when Reader's Digest (typical in-home reading fare) offered the collection of his 9 symphonies in a boxed collection of 33rpm records, I asked for it. And got it. The only issue was no record player, so for my 12th birthday I got one. Then, having a few days home from school after an appendectomy, and hearing Peter Paul and Mary introduced to the/my world singing "Lemon Tree" on the Today Show, I took my tiny stash of get-well cash to the local record store and bought that album. I had just enough left for another inexpensive record, asked the owner what, since I liked Beethoven, he would recommend that I might like. He suggested Tchaikovsky's 4th, likely because it wasn't selling. I took both albums home and played both relentlessly, the Tchaikovsky driving my older brother nuts! In defense, it did sound best when LOUD. He thought it sounded best when silent. Oh well. He's had decades of not hearing it since then.
Years passed, I mostly stuck with classical and folk. No rock & roll for me, no Beetles, but yes mostly to PPM, Smothers Brothers, Chad Mitchel Trio, and Christmas collections. Once or twice Andy Williams. I can still hear in my mind "and roses and roses and roses of love." My brother might also in a fever dream or nightmare. (Sorry.)
Adult life brought little income and less time to listen to "MY" music. Eventually I found a career behind the wheel of a car, still not much help as we were obliged to listen to dispatching radio, not car radio even if it had been playing my musical choices. Life changed the day the company switched to computer dispatching. We could turn on our car radios again! Being in Minnesota, I finally discovered public radio! Depending on my mood, I could listen to reliable news or classical music, wherever in the state I was.
A whole new world opened up to me! The musical selections were properly announced: name, composer, orchestra, and interesting tidbits behind the creation of the music, the composer, or even the occasion the recording was played for and recorded from. (Ever heard of Prince Albert Hall? I finally did.) I learned about Joshua Bell and Yo-Yo Ma, Rodrigo, Rachmaninoff, and so many others. As funding allowed, once my car had a DVD player, I started bringing my own new favorite selections with me, so stepping out of the car no longer meant loosing chunks of a piece but merely an interruption.
I decided never to apologize for my listening choices. Especially not for them not being the current rage, like heavy metal, or rap, or for not "following" whatever current trend or artist that "everybody" loved. Lady Who? What football star's famous girlfriend Taylor Something?
The email conversation reminded me of one piece of music I hadn't heard in years. I fell in love with it for both the music and the odd driving beat. It's one by Rimsky-Korsakov, known to most only for writing Scheherazade. This one is Russian Easter Overture, sometimes with the word "Festival" inserted. It varies between a lyrical musical theme, and that unique driving beat, eventually combining them. I could play that to distraction as well, but again life intervened, between heated storage damaging CDs and other issues and activities.
Having been reminded of the piece, I Googled it, found it on YouTube... and played it. Twice, of course. It's under 15 minutes. I also bookmarked it for future enjoyment. I suggest it for you if you haven't been introduced yet. There may be a potential new fan out there.
Meanwhile I think it's time to hunt up some Rachmaninoff Second Piano..... Or hey, have lunch! It's gotten late! Bye!




